Humor in the Court! It’s Legal--and a Fast-Selling Book
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The penalty for laughing in a courtroom is six months; if it were not for this penalty the jury would never hear the evidence.
--H.L. Mencken
San Diego attorney Charles Sevilla would probably like Art Linkletter.
It was Linkletter, after all, who proved in a classic television program that kids say the darndest things.
Sevilla now has made it his avocation to demonstrate that lawyers do too.
The public knows him best as an appellate attorney for people with serious problems. His clients include Roger Hedgecock, the former mayor rousted from office by a perjury and conspiracy conviction, and Herman Martin, the former La Jolla insurance broker fighting a murder rap.
But beneath Sevilla’s sober exterior lurks a veritable Pied Piper of pettifoggery.
For nearly a decade, it seems, Sevilla has been collecting examples of the most sublimely ridiculous courtroom exchanges involving attorneys, judges, witnesses, defendants and jurors and publishing them--the names deleted to protect the guilty--in magazines circulated mainly to other defense lawyers.
Now, in conjunction with two law professor friends, he is sharing the moments of legal inanity with a broader public.
Their book, “Disorderly Conduct,” has been a surprising success--drawing a rave review from People magazine, getting scooped up by law students and soaring last month to No. 8 on the Chicago Tribune’s best-seller list for nonfiction titles. Published early this year by W. W. Norton & Co., it is already in its third printing.
Almost every item in the 171-page book is excerpted verbatim from the transcript of a court proceeding in the United States, Canada or Great Britain. The humor is unrehearsed and unintentional--the sometimes sidesplittingly funny inaptness that the tension and contentiousness of the courtroom can occasionally spawn.
Take, for instance, this moment in a criminal case:
Defendant: Judge, I want you to appoint me another lawyer.
Judge: And why is that?
Defendant: Because the ( public defender) isn’t interested in my case.
Judge (to public defender): Do you have any comments on defendant’s motion?
Public defender: I’m sorry, Your Honor. I wasn’t listening.
Or this one, recorded during jury selection:
Judge: Is there any reason you could not serve as a juror in this case?
Juror: I don’t want to be away from my job that long.
Judge: Can’t they do without you at work?
Juror: Yes, but I don’t want them to know it.
Or this, when a prosecutor was unusually candid about his prospects in a trial:
District attorney: This matter is here for trial today.
Judge: People ready?
D.A.: Yes, but we move to dismiss in the interest of justice.
Judge: What is the interest of justice?
D.A.: The case sucks.
Sevilla acknowledged that lawyers are not widely thought of as an especially humorous sort. “Because of the nature of the litigation that lawyers are involved in, I could see where people wouldn’t associate the profession with humor,” he said.
But the ability to laugh, Sevilla insists, is essential for the litigant’s well-being.
“A lot of defense attorneys have a terrific sense of humor,” he said. “You’ve got to survive in an atmosphere so often filled with mustard gas. Without some release from that pressure, it can get to you.”
Sometimes, it is judges who lighten the courtroom atmosphere, as in this exchange, drawn from a sentencing hearing and included in the book:
Judge: All right. Any other questions?
Defendant: How can you sentence an innocent man to prison?
Judge: It is part of my job.
Sometimes, it is the witnesses:
Defense counsel: The truth of the matter is that you are not an unbiased, objective witness, isn’t it? You, too, were shot in the fracas.
Witness: No, sir. I was shot midway between the fracas and the navel.
And sometimes it is the defendant--like this one, charged with arson--who had missed a previous court appearance:
Judge: Where were you?
Defendant: In the hospital.
Judge: Why?
Defendant: Smoke inhalation.
Co-author Rodney Jones, a former law professor at the University of San Diego who now teaches at the University of Santa Clara Law School, said selecting the anecdotes for inclusion in the book was a painful task.
Jones locked himself in a hotel room with Gerald Uelman, the book’s third co-author and dean of the University of Santa Clara Law School, and gave hundreds of candidates a “laughability rating” until they had winnowed the pile down to the very best. Besides the items from Sevilla’s magazine columns, they drew on Jones’ personal collection and the archives of a Monterey Municipal Court judge.
Apparently, they selected well. Jones’ students ask him to autograph copies of the book they have purchased for their fathers or other lawyer friends. And though he expected criticism from stuffed shirts in the profession, the reaction of lawyers has been just the opposite, Jones said.
“They’re taking it quite well and enjoying the foibles of their colleagues,” he said.
The book does not hesitate to underscore the public’s impatience with lawyers. It includes this encounter between a lawyer and a potential juror:
Counsel: How do you feel about criminal defense attorneys?
Juror: I think they should all be drowned at birth.
Counsel: Well, then, you are obviously biased for the prosecution?
Juror: What makes you think that? I hate prosecutors too.
Purposeful humor does not seem to work in court, Sevilla has found. He recalled that Lenny Bruce, the daring comic of the 1950s and 1960s, once tried to argue his way out of an obscenity charge by performing part of his stand-up routine before an appellate court.
“He bombed, and his conviction was upheld,” Sevilla said. “The courtroom is not a place for people to do stand-up comedy. So it’s no surprise that the humor that does come out is unintended and spontaneous.”
Like this misunderstanding:
Judge: The charge here is theft of frozen chickens. Are you the defendant, sir?
Defendant: No, sir. I’m the guy who stole the chickens.
Why is it that courtroom decorum occasionally deteriorates into uninhibited mirth? Looking for an answer, Sevilla not long ago stumbled upon the classic monograph by Sigmund Freud, “Jokes and Their Relation to the Unconscious.”
Freud, he said, figured that adult laughter was an attempt to revert to the spontaneous, stress-free joy of childhood.
The theory made sense to Sevilla. “I think it’s essential to lighten up,” he said.
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